Saturday, December 19, 2009

Number 24: Drive-By Movie Reviews


Invictus 7/10 - A more poignant and moving Cool Runnings, Invictus is what We Are Marshall should have been; a movie that made me care. Well, that might be a bit harsh, but seriously it took me three attempts to force feed myself Matthew McConaughey and the Thundering Herd's redemption. I have grown increasingly weary of movies of this type and even more weary of the immunity to criticism which is granted these films because, after all, "Dude, that really happened." Something that really happened is a bad excuse for Hollywood's lack of new ideas. But anyway, soapbox dismounted. When it comes to movies telling stories you already know, one could do much, much worse than Morgan Freeman, Matt Damon and Invictus.




Brothers 7.5/10 - A friend commented to me after seeing this movie that perhaps its true that the best role for a mediocre actor is a stoic or one of a character so wounded that only blank stares are required. Unfortunately for us, when Tobey Maguire's is not staring blankly, he is overacting; another go-to for bad actors. On the other hand, Jake Gyllenhaal and Natalie Portman are so good that it makes up for any shortcomings on Maguire's part. It also helped that this is one of the most gripping and emotionally draining movies I have seen in a long time and one that I would reccomend to anyone who has ever thought that Call of Duty tells one everything they need to know about war. (I'm looking at me.)








Avatar 5/10 - Equal parts Pocahontas, Jurassic Park and Fern Gulley, Avatar seems to justify the 300 million dollars spent to make it, but not quite the 9 dollars spent to see it. However, it did take place in the future and involve aliens, so my guilty pleasure centers wont allow me to give it less than a 5 on principle alone. What is unacceptable though is this film's suggestion of an America which would wipe out an entire race of natives or disregard the culture and lives of an entire people with purely selfish motives. James Cameron should be ashamed of himself for suggesting that a country as benevolent as ours would ever destroy another people's holy sites or force them to leave the land of their fathers simply for our convenience. Yet another example of liberal propaganda coming from those out of touch with real America.

Thursday, December 17, 2009

Number 23: Its Alright Ma (I'm Only Bleeding)

When I left, I left for good. I was 20 and living with my mother in Princeton, Indiana when I threw a tooth brush in the car and put Alice Street and that little red house in my rear view mirror like some sort of Jack Kerouac knock-off. And that night the half moon looked liked God’s narrowed eye asking me what the hell I thought I was doing.

It wasn’t some adventure though you know? I didn’t come of age or find myself or anything like in books I’d read. I just got a job selling Hallmark cards at a corner store on 5th Avenue in Eaton, Ohio. For three years I sold people the apologies, condolences and congratulations that they didn’t really feel enough to say themselves.

And then my Mom called.

“Joe?” She said. She always said that and, ironically enough, it was always me.

“Your Dad came home.”

He had been gone since I was just old enough to know that whatever had brought him and my mom together was broken. I stayed home for a couple years after high school but, after a while, whatever had kept me there broke just the same. Now, my mom wanted me to come home for the weekend, like two days would make up for more than a decade. I went home anyway though.

The driveway. The state road. The highway. Exit 218. The red light. The stop sign at Jefferson Avenue. Alice Street. The little red house. The driveway. The front door.

My mom answered and pulled me in the same way she pulled me into the kitchen Christmas morning to show me my new bike. I have a surprise for you Joe, you’re gonna love it. And then the strange, familiar voice from the kitchen.

“Joe?”

She pushed me in like a friend trying to set me up with a girl. And then the reveal. The surprise. The damn bicycle.

“Heya kid.” Said the man.

Then like a leaky faucet.

“Hey Pop.”

“How ya doin son? Your mom tells me you’re livin’ in Ohio now?”

Then like a burst pipe.

“Pop you can’t do this. You can’t just leave and then come back like a cheap magician. You weren’t here when I learned to drive or when I ran the truck into a pole.
Ma doesn’t need you showin’ up like this.”

“Honey what the hell is all this?” He looked at my mom like nothing bad had ever happened.

“Don’t look at her like she’s your wife Pop. She’s my mom, I’m her son and you’re a stranger in the kitchen.”

The screeching porch door.

The slamming porch door.

The moon seemed to be asking me the same question as the night I left. I wondered if the answer wasn’t in the kitchen with Mom.

I heard my dad’s voice. I heard my sweet mother. Pop had always been the bull and my mom the china shop. At least this was familiar.

Even if you move to Ohio and sell greeting cards, one day you’ll end up back here and your Dad will be in the kitchen.

The screeching porch door.

The gently closing porch door.

My mother.

“Joe? You could try you know? For me. We…I mean, your dad and I, we’re trying to make things right. Were trying to start over and I only wanted you to come home so we could be here together again.”

The leaky faucet.

“I know Ma.”

“I just want to see if things can be like they were”

“It’s alright.”

“I’m sorry Joe, but if you can come inside we can try…”

“It’s alright Ma.”

My mom’s hand on my shoulder.

The screeching porch door behind us.

Tuesday, November 17, 2009

Number 22: Like Some Passing Afternoon

Today was Tuesday and here was the Pike Place Market in Seattle, Washington. Sam and I were here like we were most afternoons, smoking cigarettes under the flying salmon and pretending to wait the rain out. For one thing, in Seattle, the rain waits you out and not the other way around. For another, neither of us wanted to sit alone in our apartments waiting our lies out so this, for now, was ideal.
“I figure death and sex are pretty much the same you know?”
Sam was always philosophizing. He was 23, just a year older than me, but since that year had been spent out of college and in the real world I always kinda figured he knew some things I didn’t. I worked at the Pike Market Medical Clinic as a transporter, which meant I moved patients from the room they were barely living in to the one they would probably die in. Most days, I thought about death and even felt like an active participant in the process. Sam worked at a Kwik Mart down Post Alley from the market. Both of us made enough for rent and cigarettes.
“I mean,” Sam stared through the wall of water coming from the overhang we were sitting under, “I know about as much about what’s supposed to happen after death as I do about what’s supposed to happen after sex.”
Sam had been in several serious relationships. Some of them had come to an abrupt end and some had just faded away. I had only been in one, which hadn’t lasted long and I wasn’t in a hurry to revisit the whole ordeal.
“Ha.”
“What?”
“Nothing, just, I don’t know. Made me laugh.”
“I’m saying,” Sam said, “people always smoke after sex but I never understood why. I figure if I’m ever relaxed during the day it’s after I have sex.”
“Oh? So you have sex most days now?”
“What if I do?”
“What if you do.” I sort of laughed. You could never tell when Sam was being serious or joking or some mix of both.
Sam was real anxious. Always anxious. His eyes were always bouncing around, which I imagined seemed rude to people when they first met him. Sam would take a cigarette out of his mouth with one hand and bite a nail on the other. Real anxious.
“My point is people talk about death as this ‘final resting place.’ Well, I don’t want to get to heaven or wherever and feel like I need a smoke you know?”
“So you figure if sex isn’t enough for you to rest in peace then death might not be either?”
“Yeah, that’s it.”
Sam had big round glasses, which I suppose made the whole darting eye routine a bit more noticeable, and a scar on his face. Not the kind that makes you feel sorry for a guy though, just the kind that tells you he’s been places. He wasn’t particularly muscular, but not scrawny. I guess he looked like people must have looked before everyone cared so much.
“It would be kind of ironic, though.” He turned away, exhaling a stream of smoke and, while I appreciated the courtesy, it seemed in vain as I looked ahead, exhaling my own.
“What’s that?”
“I mean if you got to heaven,” he said, “and you still wanted to smoke.”
“Why’s that?”
“If smoking kills you and you keep smoking anyway, you beat the system.”
“Well at the rate we’re going we’ll be finding out pretty soon. You got anymore?”
“Last one.” He offered me the remaining cigarette.
“Ah, you have it.”
“Yeah I better,” he said wiping his fogged glasses, “You’re the one who’s still pretty optimistic about life and sex and all that.”
He always figured he’d die young and I always thought that’s why he stared off into the distance and did his hair up like James Dean. He kept his face clean shaven. Sam’s father had run a tight ship when he was growing up and although he had abandoned most of the enforced principals of his youth, this was one that he had not yet shed.
“Thing is Sam, sex causes life.”
“And life causes death.”
“So I guess you’re gonna stop having sex because it eventually causes death?”
“No, Jack.”
“And we’re not gonna stop smoking either. So lets go get some more and head to my place.”
“Alright.” He stood up and put on his brown Members Only jacket that was just a little too short for his torso.
“So why do you think sex and death are pretty much the same anyway?”
“I wake up every morning waiting for one of them to happen.”
“Ha.”
“What?”
“Nothing, just, I don’t know.”
“Alright, Jack. You’re buying.”
The Pike Place Market sits on Pike Place which runs northwest from Pike Street to Virginia Street, overlooking Elliot Bay. Sam lived alone in an apartment on Virginia Street, just a block away from the market. I lived in one of the market apartments which are home to mostly low income seniors. My neighbor Joe was an 82-year-old man, separated from his wife, who functioned as an ever-present grandfather to me and Sam. He was racist in the way that older people can get away with and he had taught us how to smoke. Every day I’d play him in a game of shuffle board. When we got there Joe was sitting outside and met us with his standard greeting.
“Sam, Jack how the hell are ya?” He always seemed surprised to see us, even though this was a daily occurrence. Come to think of it, he and Sam always greeted each other the same way too, each one sarcastically reminding the other of their estrangement from their not-loved ones.
“Seen your Pop lately, Sam?”
“Na, Joe, you seen your wife?” The conversation never went further than that and I guess it didn’t need to.
That night we decided against our usual game of shuffle board because Joe’s back was acting up and instead we sat outside listening to Miles Davis, accompanied as always by Joe’s commentary.
“You know for a black man,” Joe said as if the light bulb had just flipped on, “he can really pay a tune.”
“Joe, you know its 2009?” Sam said with a sort of indifference. This, not unlike our entire relationship with Joe, was routine.
“Boy, I know what year it is and I’m sayin’, for a black man, he’s really something.”
“Sure is.” I said. Its not that I minded them arguing, but I’d heard this one before. “Sam thinks death and sex are pretty much the same thing Joe. You agree with that?”
Joe was ready for death. He had fought in Korea and he always said there was no resting in peace after that. He also said that he was so sure he was gonna die over there that once he got back, death didn’t worry him much. I had transported vets like him at the med clinic and I believed him. They never seemed worried, like they found some comfort in knowing that they should have died a long time ago and that the death they now faced would be much more kind. A lot of them told me that they’d slept but they hadn’t rested for years.
“I think people don’t know what to do after death same as they don’t know what to do after sex.” Joe said, lighting a cigarette and leaning forward slowly to turn Miles down a bit. “Sex is just like life boys. It either ends too soon or takes too long and when it’s over most people don’t know what the hell to do.”
“You liked to cuddle didn’t ya Joe?” Sam could never resist the chance to get a rise out of him.
“I’m saying when things are finished I’m ready to sleep. People don’t know what to do when they feel at peace for a minute so they gotta light a cigarette or talk. What’s more, when you die they got two or three planned events before they even put you in the ground. It’s the same reason I don’t want to be cremated. When I’ve smoked my last I want to rest, I don’t need folks lighting me up again.”


I don’t think Joe meant to trust us with his last wish, but it turned out that way. He died in his sleep later that week. Sam and I acted as his family and made sure that folks didn’t go ‘lighting him up again.’ There was no funeral except for me and Sam smoking while two black men buried him and spending the night listening to Miles Davis outside my apartment. I think that was the first time I realized why Joe felt the way he did about death and why Sam was so anxious. It was the same way I felt about jazz music. A jazz song usually ends much like it begins, with a slow fade. I think life left Sam and Joe feeling unresolved, like eight minutes of a Miles Davis song. All they could hope for was to slowly fade and pass away.
The day after Joe was buried, Sam and I were back in the market and things were all like they had been and it was raining. I didn’t smoke as much as I watched several cigarettes burn down to their end. A man with an open guitar case played and sang;

“There are times that walk from you, like some passing afternoon”

“You think Joe’s smoking?” Sam asked. His smoking had not slowed down at all and he was methodically working his way through the pack as normal.
“No. I don’t actually.”
“Well good for him huh?”
“Is that how you wanna go?” He took off his glasses and looked right at me.
“Just kind of burn out in the middle of the night you mean? Yeah I guess that’d be alright.” Outside the rain had slowed and I motioned to Sam, figuring we’d take this chance to walk to work mostly dry. We got up and walked in the direction of the man with the open guitar case.

“There are things that drift away, like our endless, numbered days”

Sam took the pack of cigarettes out of his pockets and I opened my hand for another. He pulled his away from his mouth with his middle finger and thumb and flicked it away. He took the remaining cigarette from the pack and dropped it in the guitar case as we passed.
“All out.”

Friday, November 13, 2009

Friday, October 9, 2009

Number 20: Ehhh (Plus or Minus Ten People More Deserving Of The Nobel Peace Prize Than Barack Obama)

I decided I was listening to music the wrong way so I'll continue the list later.

Anyway, its nothing personal Mr. President.

1. Sarah Palin - Look, she wakes up every morning a spit ball away from Russia and she hasn't started anything yet. Granted there was the whole turkey drowning situation and her feud with David Letterman, but in an effort to not offend any one news publication, she reads them all; what could be more peaceful? This maverick for the Nobel Peace Prize? You 'betcha.

2. Kanye West - I'm sure you disagree, but then again you probably don't care about black people either. First of all, he, like the President is from Chicago. After losing the Olympic bid and watching the Cubs for the last 100 years, I think this city deserves a bone. Secondly, you may think what he did at the VMAs was anything but peaceful, but I disagree. For one thing, Taylor Swift sucks. But more importantly, by interrupting her moment, West won a victory for peace. Swift's lyrics are the antithesis of peaceful and only encourage cafeteria confrontation. Take this lyric for instance; "She wears short skirts, I wear T-shirts / She's cheer captain and I'm on the bleachers." Do our schools really need this kind of influence? Kanye West is not a jerk for interrupting a celebration of this kind of incindiary lyricism, he is a hero. And before you go petting your debate skills by bringing up Yeezy lyrics which you find offensive ask yourself this; is the world a better place thanks to Kanye's head on confrontation of world issues such as the proliferation of "Drunk and Hot Girls?" Yes. A thousand times yes.

3. Bob Dylan - I have no argument for this choice other than to say that if there is an award, Bob Dylan should win it at least once.

4. Beyonce - Miss Sasha Feirce deserves the Peace Prize for her efforts to bridge the gap between single ladies and their commitmentless boy toys. Barack Obama has a way with words? Please. Go try to tell someone they need to man up in a more sophisticated and inspiring way than "If you liked it then you shoulda put a ring on it." You can't. Add to that dance moves and Jay Z as your husband and I say the free world owes you a debt.

5. Sarah Palin - Anyone with this many credentials deserves two slots on the list. The former Governor's moose hunting adventures are well documented and for that she deserves the prize. Every year in Alaska there are more moose related deaths than bear related deaths. Doesn't hold a candle to the amount of deaths from lack of health insurance but who's counting. She thins the moose population and that promotes peace.

6. Geraldo Rivera - You know because of his investigative reporting and all....ok not really. The guy's a douche bag.

7. Ghandi - This one's actually kind of serious. This guy inspires more peace posthumously then most do currently.

8. Jimmy Fallon - I used to have a lack of peace within myself about which late night show to watch. Letterman or Conan? I love both so dearly that I could harldy deal with the conflict. Couple that with the arguments that are sure to pop up amongst friends about who is better. Not to worry anymore though. Jimmy Fallon's show is so awful that we can all peacefully lay in traffic together and feel less awkward than if we were to watch him.

Tuesday, August 11, 2009

Number 19: Album Number 9

Neutral Milk Hotel - In The Aeroplane Over The Sea (1998)


Cliche? Yes. Great? Yes. I'm pretty sure this album doubles for ID at most indie/hipster/elitist gatherings, but nonetheless, no matter how many times I listen to it, it remains one of the most absolutely intriguing, confusing and beautiful albums that I own. Jeff Magnum's lyrics touch on spirituality and World War II, particualrly Anne Frank's diaries. I think so anyway. Much like the rest of my list, Magnum is appealing because he can not sing and so comes off seeming more like he must. In The Aeroplane Over The Sea's beauty is akin to that of a Jackson Pollock painting. It is riveting in the way of old war footage. Despite an intuitive sense that carpet bombing a city is tragic, you don't change the channel. There is something strangely beautiful about a voice straining for notes it cant reach and it seems all the more poignant when the unattainable notes would support the words I love you Jesus Christ, Jesus I love you, yes I do. It seems not unlike our fascination with death, a simultaneously tragic and beautiful thing.

And one day we will die / and our ashes will fly / from the aeroplane over the sea / but for now we are young / let us lay in the sun / and count every beautiful thing we can see

In Holland, 1945 Magnum's affinity for Anne Frank seems apparent when he sings; The only girl I've ever loved / was born with roses in her eyes / but then they buried her alive / one evening 1945. The way that Magnum wraps such tragedy in such beauty only serves to compliment the spiritual element present in Aeroplane. Magnum's often ambiguous and abstract lyrics are matched by the music which accompanies them. Horns reach and bend along with his voice and fuzzed electric guitars seem most appropriate.

Fact is, were it not for Jeff Magnum and Neutral Milk Hotel, it is likely that you would not enjoy bands such as mewithoutYou, Brand New, or Manchester Orchestra nearly as much. Whether there is an apparently direct influence as is clearly the case with mewithoutYou's latest offering or a more subtle one as is the case with countless indie bands, Neutral Milk Hotel and particularly In The Aeroplane Over The Sea has remained consistently relevant for over 10 years which is likely more than you'd be able to say for half of the music on your iPod or mine.

I don't think anyone will ever quite get this album. I don't even think Jeff Magnum completely does. But if I did, I wouldn't keep listening to it. Not to mention that at least one Neutral Milk Hotel experience a week will make make your skim-milk latte taste significantly better.

Favoite Song(s) - In The Aeroplane Over The Sea, Two Headed Boy (Pts. 1 and 2)






Monday, August 3, 2009

Number 18: Plus or Minus 10 Of My Favorite Albums

I'm chronically indecisive so it feels safer to say that if you were to take a handful of albums out of the latte stained messenger bag that I keep them in, these would be at the top. I'll do them one at a time, with the exception of this time.


These first two (well I'm doing them in descending order so make it last two) were difficult for me to decide between so my editor allowed me to include them both.


10. Ray LaMontagne - Till The Sun Turns Black



I never learned to count my blessings

I choose instead to dwell in my disasters



The cover of Ray LaMontagne's follow up to Trouble is enough to make it obvious that one album was not enough to purge him of his demons. Common is the artist with ten songs worth of heartache. But after listening to Till The Sun Turns Black it is abundantly clear that LaMontagne's misery is no gimmick. In fact, one gets the distinct feeling that he would rather not be sharing the depths of his sadness with 20 somethings who see sadness as recreation. The tragic quality of Ray LaMontagne is that he doesn't want to sing about these things, but he must. Its this internal dissonance that seems to leave LaMontagne feeling isolated. He says as much in the aptly titled Empty when he sings, his voice accented by years of finding solace in cigarettes, "Will I always feel this way, so empty and estranged?" While songs like Can I Stay and Three More Days do lighten the mood, it is a light which is hazy at best. Still, Can I Stay is absolutely beautiful and Three More Days is infectious. In fact, I dare you not to play air horn along with this one. Ray LaMontagne makes misery, longing and the depths of human sadness and desire beautiful.


Favorite Song - Empty


10. Bruce Springsteen - Nebraska


Everything dies baby thats a fact, maybe everything that dies someday comes back Put your makeup on and your hair up pretty and meet me tonight in Atlantic City

I don't like Born in the U.S.A. And while I can appreciate The Boss' habit of giving concert performances twice the length of most touring bands, if I'm honest my favorite part of Bruce Springsteen and The E Street Band is Max Weinberg. But Nebraska is different. If you ask me, The Boss earned his name when he followed up The River with an acoustic depiction of American life that is decidedly dark. Written during a bout with depression, this is not the patriotic, purveyor of Dad-Rock you saw at the Super Bowl. The first five tracks are nearly flawless and the entire album features the kind of guitar-harmonica interplay that you know you'd lose your girlfriend to. The narrative lyrical style fits the scarce instrumentation, and a raw production quality fits Springsteens gravelly vocal delivery. Once again, the album's artwork betrays its grim content. Seeing a trend yet?

Favorite Song - Atlantic City

Sunday, June 28, 2009

Number 17: May Angels Lead You In

Billy Mays
Michael Jackson


Farrah Fawcett


Ed McMahon

Friday, June 19, 2009

Number 16: All Morons Hate It When You Call Them A Moron

This guy Frederic Colting has written a book entitled "60 Years Later: Coming Through the Rye." It's a book he claims is not a sequel or rip-off of J.D. Salinger's "Catcher in the Rye," and one that Salingr has called "a rip-off pure and simple." Colting wrote the book under the pseudonym John David California. That's right, J.D. California. Ohhh I see what you did there.


And here's what bothers me;


Colting says the book is not a sequel or a rip-off and yet the book's main characters are a 76 year old Mr. C and Mr. Salinger, a bitter and angry reclusive author. While Colting may have semantics on his side he and his book are, as Holden Caulfield would say, phony at best.

J.D. California?

Mr. C?

Really?

Colting says that the book is, in fact, a "critical exploration of such themes as the relationship between J.D. Salinger, the famously reclusive author, and Holden Caulfield, his brash and ageless fictional creation." Thats the thing Fred. He was ageless. UNTIL YOU MADE HIM 76 YEARS OLD. Perhaps we should go dig up James Dean's bones and make posters?


Furthermore, Colting states that Salnger has "excercised iron-clad control over his intellectual property, refusing to allow others to adapt any of his characters or stories in other media." AND THANK GOD. Not everything needs a movie and t-shirts in Hot Topic. Some classic works are better left un-mollested (I'm looking at you Zach Snyder). Salinger has had the nerve to do what most don't. To let an important work rest in peace. He has turned down numerous offers, including one from Steven Spieldberg, to bring "Catcher" to the big screen. And again, THANK GOD. Shai LaBeouf doesn't need anymore work.

The point to be made here is simple;

Just because you can do something doesn't mean you should. Colting may have the law on his side but it is a distinction which is irrelevant to me. Given the chance I would not ask Mr. Colting if he felt he should be able to bastardize one of the best pieces of American literature (and my personal favorite). No, I would rather know why anyone who calls themself an admirer or fan of J.D. Salinger's work would ever want to. And even if I could get my head around the desire to mess with masterpiece, I could never understand why one would continue in such a pursuit after the creator of said masterpiece states his displeasure with the enterprise. If J.D. Salinger asks you not to mess with "The Catcher in the Rye," why would you mess with "The Catcher in the Rye?" Why fight him about it? He has only asked one thing of the world since 1965. He has asked that he and his work be left alone. It is a request the world has continually ignored.

In a written declaration, Mr. Colting states that he is "not a pirate." Well a pirate he may not be, but a moron he is.

And all morons hate it when you call them a moron.

Tuesday, April 14, 2009

Number 15: The Atmosphere of Hell

It will be called The Atmosphere of Hell. On a mostly blank page before the story begins will be these words:

Reader, did you ever hate? I hope not. I never did but once; and I trust I never shall again. Somebody has called it "the atmosphere of hell"; and I believe it is so.
- Harriet Ann Jacobs


It starts in a hospital or in a car. Well, both really. But at the same time neither. It is a story which I'm afraid is all too familiar, the characters not quite far enough from reality for comfort.



Also, there is a guy drinking coffee three tables from me. Blogging as well. We could talk. But we wont. This makes more sense I suppose.

Monday, March 16, 2009

Number 14: Monks

The strangest thing I saw last Friday was a monk with a Louis Vuitton bag and a cell phone. Well, I suppose he was a monk. After all, if you're bald and wearing an orange robe you're certainly dressed liked one. Anyway, it was him and his monk friend. They looked like characters out of a Chris Farley movie, one of them older and presumably wiser while the other was younger, much bigger and presumably an unenlightened monk-in-training. Both of them were, of course, bald. The older, wiser one was seated directly in front of me. He was facing me but, of course, not looking at me as he was involved in what I assumed was some sort of meditation. His eyes were closed, his hands were clasped and I suspected he might begin to levitate at any moment, although I must admit that part of me feared he might light himself on fire in some sort of protest. If this were to happen, my proximity to him would surely be a problem and as I had nothing in particular to protest and so did not see myself joining him, I considered moving. But I did not. I had been sitting there, minding my own business of course, when I noticed the bag and looked up from what had been the focus of my own meditation, In Search of J.D. Salinger by Ian Hamilton. Hamilton had set out to write a biography about the author-in-hiding and as I happen to share his admiration and perhaps slight feeling of ownership of Salinger's work it was with great interest that I had begun reading the book and with great sadness that, upon reaching its conclusion, I realized that Salinger would probably hate me for having done so. To my left was what appeared to be a college student reading James Joyce's Ulysses and behind him another pseudo-intellectual reading Joseph Heller's Catch-22. For a moment, I debated in my mind if either of them got it. I doubted it and wished I had gotten coffee at the Starbucks before coming to the terminal. In any event, I figured the flight would be relatively peaceful what with the monks being there and all. Perhaps there presence would silence or at least calm the shrieking baby which was certain to be seated in front of me. Or maybe they would distract the passengers behind me and at least temporarily postpone their discussion of various issues of National Geographic which they had read. Probably not though. A plane is an efficient method of travel but it is also a claustrophobic nightmare in which you find yourself trapped with every kind of annoyance, disruption, discomfort and northern accent imaginable. This flight was tolerable though and to be honest I did not give much thought to the monks during it. I slept and listened to Radiohead and neither activity allows for one to think of much else. However, as I got off the plane I saw the monks up ahead. One, the younger bigger one, waited outside the men's restroom, I assume waiting for his older, wiser counterpart. I realized that I had never encountered a monk in a restroom but I decided it would most likely be a humorous experience. As I walked past the monk I saw his Louis Vuitton bag and noticed that he was again talking on his cell phone. As you can imagine, I tried not to stare but I dare say that you would have shared my struggle. It is not everyday that you see a monk, especially one with a Luis Vuitton bag and a cell phone. It seemed to me a great contradiction and I half-wondered if there wasn't someone somewhere I should be reporting it to. Anyway, I concluded that it was really not my business if monks decided to live as walking contradictions, existing as mere caricatures of themselves and I continued to think on the matter as I walked toward baggage claim, stepping onto the moving sidewalk and putting the headphones of my iPod in.

Ah yes, Bob Dylan.

Thursday, February 26, 2009

Number 13: Things That Are Distracting Me This Week



Yes, blogs which consist of more pictures than words are a cop out.

Tuesday, February 24, 2009

Number 12: The Importance of Being Bearded

I am continually amazed at the incredible impact which untamed facial hair has had on the history of great things. Something special, it seems, happens when a man's face falls out of familiarity with the blade and is allowed to express its full potential. Indeed, all men's faces were naked once, but some put down the razor and let the greatness grow. You show me a man with an exposed face and I will show you a man with a beard who is destined to change history.

Fact: Beards matter.

Ironically enough, Oscar Wilde, whose play (The Importance of Being Earnest) inspired my exceedingly witty title, did not have a beard. But here are some men who did. They simply would not shave...and thank God.

Note: This is not an exhaustive list. There are many bearded men who will unfortunately be left off this list.

Walt Whitman
For me, when it comes to beards, it all starts with Walt Whitman. I imagine him plucking "Leaves of Grass" from somewhere deep in his facial adornment and laying it on paper. Had he shaved, we may be without some of the greatest poetry our country has ever produced.


Alan Moore
This is the beard that birthed Watchmen, V for Vendetta and The Killing Joke (the comic work to which The Dark Knight and Heath Ledger's portrayal of the Joker is indebted). If you had that kind of genius growing out of your face, would you shave?


Ray LaMontagne
If you listen to Ray then you don't need my explanation. If you don't, look at the beard, look up the tunes and get LaMontagne'd.


Sam Beam
Living proof that all you really need is a beard and a guitar. I suppose being one of the best singer/songwriters of a generation helps too. But...look at the beard. Lyrics as beautiful as Beam's could only be properly sung from a mouth surrounded by such art.


Abraham Lincoln
Go ahead, argue with this one. Please.

Kimbo Slice
Is anyone really surprised that this guy takes part in what amounts to officiated street fighting? Without the beard, you could beat him up.


Karl Marx
Karl Marx has enough beard to go around. (No I'm not a communist...well...not I'm not)


Frederick Douglass
An abolitionist, a womens suffragist and general supporter of equal rights. Lots of people should be grateful for this beard.


Some Guy
I don't know who this guy is, but I sincerely think that the world is a better place because of his beard. The guy has 4 smiles going on there. That is happiness that only an untamed face can bring.

Notable Bearded Men Who Are Not Picture Here:
Jesus Christ
Henry David Thoreau
Ryan Campagna
My Grandfather

Men Who Have Either Chosen Not To Or Are Unable To Grow A Beard But Are Still Significant And Deserve Mention:
J.D. Salinger
Brad Pitt (Though he has shown he is capable)
Jason Hermansdorfer

Sunday, February 8, 2009

Number 11: Grammys

Heres what I'm rooting for

Album of the Year
In Rainbows - Radiohead

Best Male Pop Vocal Performance
Say - John Mayer

Best Solo Rock Vocal Performance
Gravity - John Mayer

Best Rock Performance By A Duo Or Group With Vocals
House of Cards - Radiohead

Best Rock Song
House of Cards - Radiohead

Best Alternative Music Album
Narrow Stairs - Death Cab for Cutie (I'd like Radiohead to win everything they're nominated for, but if Death Cab could take this one and Radiohead could take album of the year I'd be pleased. Beck's album was great as well and I've heard good things about My Morning Jacket although I haven't heard the album.)

Best Rap Solo Performance
Lupe Fiasco - Paris, Tokyo (You can't really root against Jay though so if he wins thats cool with me.)

Best Rap/Sung Collaboration
Superstar - Lupe Fiasco

Best Rap Song
Superstar - Lupe Fiasco (I'd be shocked if Swagga Like Us doesn't clean up though)

Best Rap Album
The Cool - Lupe Fiasco

Best Spoken Word Album
Born Standing Up - Steve Martin

Best Score Soundtrack Album For Motion Picture, Television, Etc.
The Dark Knight or There Will Be Blood

Best Song Written For Motion Picture, Television, Etc.
Say - John Mayer

Best Long Form Music Video
Where The Light Is - Live in Los Angeles (John Mayer)

  • Ryan Seacrest is the most awkward interviewer on television.
  • Dave Grohl playing with Paul McCartney might cause the power to go out from the amount of sheer musical power on stage at one time.
  • Blink 182 reunion please...
  • If you kept count, I really only want 4 or 5 different people to win anything. This will surely not happen. I know...it's a bummer.








Monday, February 2, 2009

Number 10: Henry

Henry is a man I have met many times now.

He has been a preacher for 61 years. He was called to preach when he was 17 years old. You see, his pastor came up to him when he was just 16 and said, "Henry, I want you to get up and preach" and Henry said, "Well pastor I don't know if I can do that" and then his pastor said, "I know you can." A year later God called him to be a preacher.

He attended Howard College, which is now Samford University, and then New Orleans Baptist Theological Seminary. More than a half-century later, he is still preaching. On Wednesday nights and he figures it is going alright because "no one has run out screaming yet".

That is Henry. Every time you meet Henry, you hear that story. Because that is Henry. There is no Henry apart from that.

Henry remembers that I go to Auburn and that I have a tendency of walking through the front door of the retirement home he lives in on Monday nights. Apart from that I can only say for certain that Henry remembers one other thing. That he is a preacher and has been for 61 years. That he was asked to preach at 16 and called by God to preach at 17. That he attended Howard College, which is now Samford University, and then New Orleans Baptist Theological Seminary. And that he preaches every Wednesday night for anyone who wants to listen.

In light of this, I have to say that I don't think it is dementia or Alzheimer's which has caused the rest of Henry's life to fade. I think it is a return to what is most true about him. It is his redemption. He exists to preach. And as his life has gone on, it seems he has forgotten that he ever did anything else.

I imagine Henry at his birth. Always on his way to an unexpected sermon at 16. Always on his way to Howard College, which is now Samford University, and New Orleans Baptist Theological Seminary after that. Always on his way to a Wednesday night chapel service at a retirement home.

I see Henry now. He is a preacher. That is all I know about him. That is all he knows about him. That is him.

It is a beautiful thought to me that we might be so lucky as to live a long life and, at the end of it, only remember what is most true about us. I look forward to the day when all that is left of me is only that which matters most. I pray that in my later years, God might rid me of the memory of my foolish and selfish pursuits and leave me reciting the story of my purpose to anyone who says so much as hello to me.

Henry is a man I have met many times.

He is a preacher. He has been for 61 years now. He was called to preach when he was 17. He attended Howard College, which is now Samford University, and then New Orleans Baptist Theological Seminary. He preaches every Wednesday night for anyone who wants to listen. He figures it is going alright because "no one has run out screaming yet".

That is Henry.
That is all that is left and that is all that matters.

Wednesday, January 28, 2009

Number 9: Jackson Pollock (or how to use someone elses art to attract attention to your own incoherent ramblings)

It is Jackson Pollock's birthday today. He is an artist who evokes reactions ranging from "Phenomenal" to "My 5 year old could do that". I do like his work, particularly the bottom two pieces below. That being said, I know close to nothing about painting or any visual art really. Point is, what do you think about Jackson Pollock? Does it frustrate you that a google search of his name yields 1,450,000 results? Does his art move you? As you're reading this do you feel like you're being assigned an essay? Any response is a good one...(I was going to go into some long thing about how there is a connection between me saying that any response is a good one and my capacity to tolerate splattered paint on a canvas as art but I didn't think you'd find that interesting.)